Anyone see/hear about the Epiphone Futura series coming spring? They looking kinda sweet imo.
Stainless steel frets btw
Everyone, i finally found the guitar for me, long story (let me know if ya’ll wanna hear it.) But here’s my new baby ![]()
Epiphone - Crestwood Custom
I was actually thinking that would be a nice one for you. It looks sweet and I’ve heard good things about it
It shocked me, everything ive felt I learned i like in a guitar it had it, I also realized from it I like 10 gauge strings more than 9s. The neck wasnt satin but the finish wasnt sticky at all to me, the tones were beautiful and the mini humbuckers had a perfect balance of not so much drive that loses tone and not so little drive that it has low output.
The specific one I chose i think was probably one of the best out the batch from the factory, one of the workers was surprised too.
Crestwoods and Wilshires are genuinely my favorite Epiphone models. They don’t get enough love
Excellent and I would agree with 10’s. With the shorter scale length 9’s would annoy me and probably have a lot of broken strings. So happy you got a choice one and loving it.
Upgraded my old Ibanez finally with some 10 gauges and a new Nickel cover Dimarzio pickup, full setup. Plays so sweet now!
They really are hard to beat. I think everyone in our local “blues society” plays through one. My brother has a funky blue and purple one. My favorite has always been my Kustom tuck n roll with the back taken off.
Me and my brother found some time to record a 3 song tribute to the original guitarist for Cake, Greg Brown… We broke out the 4 track and recorded covers of 3 of his post Cake, Deathray songs.
My Blues Jr is pretty heavily modified. Beyond the 30 watt conversion, I wired the unused triode in V2 as a cathode follower after the tone stack, modified the capacitors in the power stage and tone stack, I also wired in a Tiny Terror tone circuit that can be switched on or off. The tiny terror uses a capacitor and volume pot wired across the input to the output tubes. This creates a “misalignment” that gives a more resonant tone control to it. The flexibility that adds to the tone is crazy. I have also a presence control wired in. The result is I can go from insanely ear piercing sparkle to incredibly Marshall-esque mid heavy crunch with the TT tone on, and a harder Fender crunch than the amp was ever capable of. It’ll now accept a wide range of power tubes from the original EL-84 to KM66/EL-34 and many in between. I’ve been loving it with EL34s. If I had a stack to hook it to…![]()
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I’m guessing you’re not big on pedals. Sounds like that amp will get any sound you would need out of it! I like a spring reverb and maybe trem on my amp, but I don’t have to have it. I had a Fender Musicmaster and an old Magnatone with just volume and tone knobs, and got some good sounds out of them. I know I’ve never had a pedal that stuck. They get used more for my keyboards… Chorus to thicken them up. And Casio beats sound really cool through a wah pedal! I was playing a disco version of Rocketman before Elton himself went and remixed it.
No.. I like pedals too. The amp has a spring reverb built in which is always on a tad. I love a Pink Floyd echo. ![]()
I’ve wanted to upgrade the reverb tank in that amp for a long time. So long I can’t even remember the tank I was considering. ![]()
Quite honestly, for me it’s just that I never was able to leave things alone. Always tinkering.
Not sure how I haven’t chimed in on this one yet lol. Before I got so deep into collecting yo-yos, I had a LOT of guitars. I worked at a handful of music stores over the course of 20 years or so and played in a few bands. Here is a photo from 2010 when I was 20 years old and working at Guitar Center in Florence KY.
Here is one from 2016ish when I had a practice space in my basement.
My current collection consists of:
-1969 Gibson ES-340
-1948 Gibson L50
-2009 Fender Mexi Standard Tele - Bigsby added
-1981 Ibanez IC50 Iceman
-1978 Ibanex IC100 Iceman
-2000ish Ibanez IC300 Iceman
-Probably 3 or 4 other random Icemen that are in various stages of disassembly
-1980 Ibanez RS800 Roadster Bass
My main band was a prog doom band called Troll, based in Portland, OR. We put out two full albums and toured around the US a bit. Most of my main stage guitars were Icemen, which is why I still have so many of them. About 4 years ago I was playing guitar in a band and our drummer quit, so I sat in on drums “until we found a replacement.” We never found a replacement. I left that band and joined a new one, and now I am a drummer. Current band is Big Joke.
Here are some photos of the more significant guitars I have had over the years.
I bought this Ric 481 slant fret from Peter Buck (REM) and did a few mods to it. Eventually swapped it all back to original and traded it for a '65 Pontiac Catalina. The Tele was a '62 reissue.
Here is my '69 ES-340
MOONSAULT
Ibanez has always been my favorite guitar company. Specifically the Iceman. I think I had 14 of them at one point. No, I am not a KISS fan. The green and purple metal flake ones I painted myself in my back yard. I also painted the black and red Destroyer.
Time for slide guitar ![]()
Ahhh you can still form power chords, you’re good
Maybe even a pentatonic scale or two to tie them together
Cruel irony, I just got a new 7 string
I LOVE reverb. It’s on everything. I’m dangerous with it. Good delay is always a nice touch. I’ve been really into glitchy sounds lately for a nice ambient feel.
































