I agree 100% with everything you said - honestly, I’d go as far as to say this might be one of the greatest routines EVER.
Hajime is just on another level. Watching the progression of 3A over the years and seeing it reach this stage is incredible. The flow, the seamless transitions - these are elements that weren’t even considered a decade ago. This might be the first time a 3A routine has truly shown a completely natural flow, free of the usual hiccups or awkward transitions. It was mesmerizing.
A friend of mine who doesn’t even yo-yo put it perfectly: “I didn’t want it to end.” That’s how you know it’s special.
The bold music choice was another highlight - not many could pull it off, but also Hajime could probably yo-yo to anything at this point and make it work. 
And while the insane transitions and flow were the main favorites for me, one of my personal favorite moments was actually a simpler bit - when he unravels both yo-yo strings and casually exits the mount. No idea why, but it was just so satisfying to watch 
